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One feels, without delay, the heavy suffering and struggling of this daily life and its beautifulness. The 2 manage to coexist like oil and drinking water, pulling just one in two directions without delay. Of plot, in the normal feeling, There may be little or none. All the things is concerning the hiddeness and thriller of all issues, all relationships, the blowing of your grass during the wind, a younger gentleman carrying his mom, Dying. What a lot more is there to convey?
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The conflicted accounts of Sandra and Daniel, along with the autopsy report, produce a situation that inherently explores a unusual mom-son dynamic that effects from their independent predicaments along with mutual adore. You are able to observe the film listed here.
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Юбилейный концерт Наталии Гулькиной "Рассеивая миражи". Бэкстейдж
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During this seemingly straightforward movie Sokorov concentrates on silence, the tiny dialogue that is spoken is in the gentle script by Yuri Arabov. The 'actors' are appropriately not actors (Ananishnov is usually a Professor of Mathematics!). The Seems are of character - rumbling thunder, wind while in the trees - as well as nominal songs is appropriately by Mikhail Glinka and Otmar Nussio with unique new music by Mikhail Ivanovich. The cinematography by Aleksei Fyodorov is likely significantly motivated by Sokurov's vision: each body can be a even now lifetime of mother nature both equally with and without the two people, and with using filters, memek basah mirrors and damaged glass the photographs are indescribably stunning.
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In "Mother and Son" Sokurov used Distinctive lenses, distorting mirrors placed on the edges on the camera, and painted glass established directly before the lens to produce his distinctive dreamlike entire world.
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